The ’80s were a transformative time for music from the launch of MTV to seeing the rise of pop and rock icons like Madonna, Michael Jackson, U2, Bon Jovi, Def Leppard and many more.
With the 80 Essential Hits of the ’80s, we explore some of the biggest songs from the aforementioned artists and take a look at the decade’s biggest one-hit wonders, greatest duets and collaborations and see just how much film and film soundtracks had an impact on the culture. (Spoiler: It’s a lot!)
So, what are you waiting for? Scroll through the alphabetized list below and see which 80 songs are among the most quintessential from the decade of excess.
Once you scroll to see which 80 songs have made our list, we want YOU to vote for your favorite songs to help us rank the 80 Essential Hits from the ’80s from 80 to 1. We’ll air the list in order over Thanksgiving weekend.
(EB)= Written by Erica Banas
(BI)= Written by Brian Ives
'9 to 5' - Dolly Parton
Much like the film 9 to 5, the song “9 to 5,” written and recorded by Dolly Parton, resonates more today than it did when it was first released. After all, “They let you dream just to watch them shatter/You’re just a step on the boss man’s ladder/But you got dreams he’ll never take away.” (EB)
'A View to a Kill' - Duran Duran
In the mid-’80s, no one was hotter than Duran Duran; they were the perfect band to hit up for a Bond theme, and it was a smash. You can argue all day long over which Bond theme is the best, but Duran Duran’s “A View To A Kill” is the only one to hit #1 on the pop charts in the U.S. And yeah, since we’re on the topic, it’s definitely one of the top 5 Bond themes ever. It’s also one of the best Duran Duran songs ever. (BI)
'Addicted to Love' - Robert Palmer
Robert Palmer had been making albums for a decade when he released “Addicted To Love,” which quickly became his biggest hit. And yeah, the instantly iconic video had a lot to do with that: MTV couldn’t get enough of it. But it’s also an insanely catchy song, and you’ll note that it sounds great on the radio, even without the visuals. Fun fact: the guitars on the album came courtesy of two big-name six-stringers: Palmer’s Power Station bandmate, Andy Taylor of Duran Duran and Eddie Martinez, the guy who played the metal guitars on Run-D.M.C.’s “Rock Box.” (BI)
'Africa' - Toto
Toto keyboardist David Paich had never been to Africa, when he wrote the song. He based the lyrics on an article in National Geographic. But hey, whatever works! The song got a huge boost a few years ago when alternative rock band Weezer covered it. (BI)
'All Night Long (All Night)' - Lionel Richie
So what the heck is Lionel going on about when he sings “Tom bo li de say de moi ya/Yeah jambo jumbo/Way to parti’ we goin’/Oh jambali/Tom bo li de say de moi ya”? As Lionel told the New York Post in 2013, it’s kind of jibberish. He wanted to find some African phrases that worked with the theme of the song, but it was taking a long time – remember this was years before we could look up anything online. So he just made some stuff up. (BI)
'Alone' - Heart
Funny story: this song isn’t a Heart original, although we forgive you if you didn’t know that. It was originally by a band called I-Ten; the songwriters went on to write some other big hits for other artists, including the Bangles’ “Eternal Flame,” Madonna’s “Like A Virgin” and Cyndi Lauper’s “True Colors.” And Heart wasn’t even the first act to cover it: John Stamos actually recorded with his Dreams sitcom co-star Valarie Stevenson. It’s safe to say that Heart’s version is and will always be the best version (and yes, we know that Celine Dion has covered it too). (BI)
'Another Brick In The Wall (Part II)' - Pink Floyd
A progressive rock band experimenting with disco on a protest song blasting overly strict schools featuring a children’s choir. Well, it probably didn’t sound like a recipe for a hit, but it topped the pop charts and has become an anthem on par with Alice Cooper’s “School’s Out.” (BI)
'Bette Davis Eyes' - Kim Carnes
Kim Carnes’ “Bette Davis Eyes” is actually a cover; it was originally recorded by Jackie DeShannon, who co-wrote the song with Donna Weiss, in 1974. In addition to being number one in the United States, “Bette Davis Eyes” topped singles charts in 20 other countries. The track would also go on to win Grammy Awards for Song of the Year and Record of the Year. (EB)
'Billie Jean' - Michael Jackson
Like a few of the songs on this list, it’s hard the separate the song from the visuals. In the case of “Billie Jean,” there are two iconic visuals that fans associate with. One: Jackson’s performance of the song at the “Motown 25” TV event, where Jackson debuted his iconic moonwalk and sequined glove. Two: the also iconic music video, which was the first video by a Black artist to get heavy rotation on MTV. But even without any visuals, it’s one of the greatest songs of all time. (BI)
'Call Me' - Blondie
Serving as the theme to the Richard Gere-vehicle American Gigolo, “Call Me” would become Blondie’s most successful single and would top the Billboard year-end singles chart in 1980. (EB)
'Celebration' - Kool & the Gang
If you’re celebrating something and don’t play this Kool & the Gang classic, did you really celebrate at all? No, you didn’t. Sorry, I don’t make the rules. (EB)
'Centerfold' - The J. Geils Band
One of the best uses of “Nah-nahs” in music history, “Centerfold” was part of J. Geils Band’s last hurrah with Peter Wolf, who would leave the band in 1983. (EB)
'Come On Eileen' - Dexy’s Midnight Runners
Easily one of the most enduring one-hit wonders of the ‘80s, Dexy’s Midnight Runners’ “Come On Eileen” was a very unique mix of New Wave and celtic folk that few can really resist. (Seriously, just try and not sing along to “Toora loora toora loo rye ay!”) Also, I swear I saw a bunch of Gen Z kids the other day wearing overalls similar to the ones the band wore in the music video. (EB)
'Crazy Little Thing Called Love' - Queen
Ready, Freddie! What makes Queen so unique is the way they embraced and explored so many rock sub-genres. With “Crazy Little Thing Called Love,” they took on rockabilly but still put their own spin on it. (EB)
'Dancing In The Dark' - Bruce Springsteen
The Boss is a rare case of an iconic artist with loads of hit/classic songs but none of them have topped the Billboard Hot 100 chart. The closest he ever got was with “Dancing In The Dark,” which peaked at number two and would be blocked from topping the chart thanks to Duran Duran’s “The Reflex” and Prince’s “When Doves Cry.” (EB)
'Don’t Stop Believin’' - Journey
For a brief moment in the ‘90s, Nirvana and bands from the Lollapalooza scene made “arena rock” like Journey seem unfashionable. We love those bands, obviously. But thank heavens that moment of silliness didn’t last. Why deny yourself the pleasure of this most grand epic of rock songs? It opens with one of the most distinct piano riffs ever; it’s joined about a minute into the song by Neal Schon’s heroic guitar. But, of course, the true star here is Steve Perry and his soaring vocals. It’s so perfect, we’ve all forgiven them for the “born and raised in south Detroit” line. (“South Detroit” isn’t a thing. If you want to get geographically technical. “South Detroit” is actually Windsor, ON, Canada.) (BI)
'Don’t You (Forget About Me)' - Simple Minds
Some songs make you do certain things. When you hear Peter Gabriel’s “In Your Eyes,” you pretend to hold a boombox over your head like Lloyd Dobler in Say Anything… When you hear The Champs’ “Tequila,” you do that weird dance like Pee-Wee Herman in Pee-Wee’s Big Adventure. When you hear Simple Minds’ “Don’t You (Forget About Me),” you throw your fist in the air like John Bender in The Breakfast Club. Simple Minds may have resisted recording the track, but it’s a good thing they did, because it provided the Scottish band its lone number one hit in the United States. (EB)
'Don’t You Want Me' - The Human League
It’s a fun song to sing along too, but those lyrics… ouch. A man and woman singing about their breakup from their own perspectives, and they seem to disagree on one specific point. The bro is like, “It’s me who put you where you are now,” while the woman corrects him: “I knew I’d find a much better place either with or without you!” (BI)
'Down Under' - Men at Work
The song serves as a great commercial for Australia, and that country’s popular snack, vegemite. There’s no solid data as to whether or not it helped tourism but it certainly spread far and wide, hitting number one on the pop charts in New Zealand, Canada, Ireland, Switzerland, Poland, England and here in the United States. (BI)
'Escape (The Pina Colada Song)' - Rupert Holmes
Sure, the unhappy couple that is the subject of this classic one-hit-wonder is essentially trash, but the iconic chorus of this tune practically cancels all of that out. What you’re left with is a timeless sing-a-long regardless of whether you’ve been sipping pina coladas or not. (EB)
'Every Breath You Take' - The Police
The Police had a number of big hits in the United States, but none of them were as big as “Every Breath You Take.” The lead single off their final album Synchronicity, “Every Breath You Take” was The Police’s lone number one hit topping the Billboard Hot 100 for eight weeks. Of course, the track got an extra boost in popularity (and royalties) when it was sampled by Puff Daddy in 1997 on “I’ll Be Missing You,” his tribute to late rapper/best friend The Notorious B.I.G. (EB)
'Every Rose Has Its Thorn' - Poison
Poison was the premier party band of the ‘80s. But you can’t party all the time, and anyway, who’s in the mood to party when your heart’s been broken? By letting down their guard for this ballad, Poison ended up with their only #1 hit and arguably the best power ballad of the era. (BI)
'Eye of the Tiger' - Survivor
Queen made a lot of great decisions as a band, but here’s a bad one: they wouldn’t let Sylvester Stallone use “Another One Bites The Dust” for ‘Rocky III.’ Enter Survivor, a band who were somewhat less well-known than Freddie Mercury and co. The version that appeared in ‘Rocky III’ was actually the demo, but it was perfect enough to become a generational anthem. (BI)
'Faith' - George Michael
When former Wham! frontman George Michael kicked off his solo career, the last thing anyone expected from him was a tribute to early ‘50s rock and roll. Most rockers had moved on from that era of rock, but Buddy Holly and (especially) Bo Diddley’s influence were all over “Faith,” one of Michael’s biggest hits. (BI)
'Flashdance...What a Feeling' - Irene Cara
rene Cara is the voice behind two classic ‘80s film songs: “Fame” from 1980’s Fame and “Flashdance…What a Feeling” from 1983’s Flashdance. Basically, whenever you hear Cara’s voice, you can’t help but think of leotards and leg warmers. “Flashdance…What A Feeling” was a smash commercial success, but it was also a critical success. The track netted Cara a Grammy for Best Pop Vocal Performance, Female, and since she has a songwriting credit on the tune, Cara also took home the Academy Award and Golden Globe for Best Original Song along with co-writers Giorgio Moroder and Keith Forsey. (EB)
'Footloose' - Kenny Loggins
Much like Irene Cara, Kenny Loggins had some huge hits in the ‘80s thanks to film soundtracks. His biggest hit came with “Footloose,” the titular track from the classic Kevin Bacon film. In fact, “Footloose” is Loggins’ only number one hit in his lengthy solo career. So, let’s hear it for Kenny and that random town that banned dancing! (EB)
'Funkytown' - Lipps, Inc.
Another classic one-hit-wonder, “Funkytown” was one of the last really big disco hits. Regardless of your thoughts on disco, there’s no denying the song’s synth hook or the way Cynthia Johnson belts out “Funkytown” in the chorus. (EB)
'Here I Go Again' - Whitesnake
You’re surely familiar with Whitesnake’s 1987 smash hit, which is still used in commercials and is a radio staple on multiple formats today. You may not know the original version of the song is from Whitesnake’s 1982 album ‘Saints and Sinners.’ That version is a bit more “rock,” but it was an inspired idea for the band to re-record a slicker version of the song five years later, and clearly the second time was the charm. (BI)
'How Will I Know' - Whitney Houston
Whitney Houston’s self-titled 1985 debut boasted three number one hits with “How Will I Know” being the second from the LP. The pop/R&B tune was written by George Merrill and Shannon Rubicam who actually wrote the tune for Janet Jackson, but she passed on the track. All due respect to Ms. Jackson, but it’s hard to imagine anyone singing “How Will I Know” except for Whitney. (EB)
'I Love Rock ‘n’ Roll' - Joan Jett & the Blackhearts
How do you know a cover is really good? When you often forget it’s actually a cover. Such is the case with “I Love Rock ‘n’ Roll,” which was originally recorded by The Arrows in 1975. The definitive version, however, is Jett’s version. (EB)
'(I’ve Had) The Time Of My Life' - Bill Medley and Jennifer Warnes
Dirty Dancing was one of the biggest films of the ‘80s, and it had one of the most successful soundtracks of all time selling over 11 million copies in the United States and 32 million copies worldwide. The lead single was this Bill Medley/Jennifer Warnes duet that has gone on to inspire countless lift attempts, both successful and not. (EB)
'I Ran' - A Flock of Seagulls
Few one-hit-wonders are as quintessentially ‘80s than A Flock of Seagulls. Between Mike Score’s haircut, that music video (which received heavy rotation on MTV) and an undeniably catchy synth hook, it’s not too surprising “I Ran” was a hit. While A Flock of Seagulls never managed to capture the same success with subsequent singles, the allure of “I Ran” has endured as a sort of loving time capsule for the decade. (EB)
'I Still Haven’t Found What I’m Looking For' - U2
The second single from ‘The Joshua Tree,’ “I Still Haven’t found What I’m Looking For” blends elements of pop, rock and gospel that are beyond uplifting. For an album that reflected U2’s journey into America, “I Still Haven’t Found What I’m Looking For” is perhaps the most uniquely American song on the album. (EB)
'I Think We’re Alone Now' - Tiffany
Tommy James and the Shondells had a unique resurgence in the ‘80s when some of their songs were covered and went on to become big hits for other artists. One of those songs was “I Think We’re Alone Now” which famously took over malls all over America thanks to Tiffany. The cover would even climb to the top of the Billboard Hot 100 and stay there for two weeks. (EB)
'In The Air Tonight' - Phil Collins
The song that catapulted Phil Collins from being “the drummer-singer guy from Genesis” to international superstar status. The man has written and co-written a bunch of hit songs that have resonated on a number of radio formats, but this is the one that overshadows everything else. It also has inspired urban legends: some believe that Collins actually saw someone drowning, and this legend has been referenced by everyone from Eminem (in his song “Stan”) to ‘Family Guy’ (in the “Peter Principal” episode) to many Reddit discussions. Collins has said that the song was inspired by his first divorce… and with that context it makes sense. The song starts as a tense conversation, before Phil goes ballistic with the most iconic drum break of all time, just as one might try to begin a disagreement civilly and then it all goes to hell. (BI)
'Invisible Touch' - Genesis
The band’s long-time progressive rock fans may not have loved the song, but that didn’t matter: it went straight to #1 on the singles chart (the band’s only #1 in America) and kicked off a year of singles from the band’s ‘Invisible Touch’ album dominating the charts, MTV and radio. Phil Collins and Mike Rutherford have both cited it as one of their favorite Genesis songs. (BI)
'It’s Still Rock and Roll to Me' - Billy Joel
More than a little tongue-in-cheek, “It’s Still Rock and Roll to Me” is Joel’s response to being an aging artist in a musician landscape obsessed with youth and everybody talkin’ ‘bout the new sound. Looks like he got the last laugh when this track topped the charts. (EB)
“Jack & Diane” - John Cougar
It’s both about the thrill of being young and the realization that you won’t always be young. “Holdin‘ on to sixteen as long as you can/Change is coming ’round real soon/Make us women and men,” is one of the great lyrics in pop music. (BI)
'Jessie’s Girl' - Rick Springfield
“You know I feel so dirty when they start talking cute/I wanna tell her that I love her, but the point is probably moot” still remains one of the most subtly brilliant lyrics ever. The fact it took so long for someone to rhyme “cute” with “moot” in a pop song seems crazy. (EB)
'Jump' - Van Halen
Van Halen, a band that boasts one of the most iconic guitarists of all time, has just one number one hit. That hit is the synth-heavy “Jump,” because irony is just funny like that sometimes. (EB)
'Karma Chameleon' - Culture Club
It was Culture Club’s only #1 hit in the U.S. — “Do You Really Want To Hurt Me?” peaked at number two. And oddly enough, the members of the group were not sure about recording the song, as they felt it sounded too much like country music. (BI)
'Keep On Loving You' - REO Speedwagon
The lead single from REO Speedwagon’s ninth studio album Hi Infidelity, “Keep On Loving You” was a massive power ballad that helped the Illinois-based band achieve a new level of stardom. ‘Hi Infidelity’ would go on to be the biggest selling album of 1981. (EB)
'Let’s Dance' - David Bowie
The lead single from his comeback album, “Let’s Dance” topped the pop charts, but also had some great guitar playing, courtesy of a young up-and-coming guy named Stevie Ray Vaughan. (BI)
'Like a Virgin' - Madonna
“Like a Virgin” was originally written as a ballad… by two dudes. Co-writer Billy Steinberg wrote it for himself (it wasn’t written with Madonna or any other singer in mind), and it was based on his own story: he had gotten out of bad relationship and had just met someone new. But when Madonna heard the demo, she loved it. As she told Rolling Stone, “I certainly wasn’t a virgin, and, by the way, how can you be ‘like’ a virgin? I liked the play on words.” (BI)
'Listen to Your Heart' - Roxette
In the liner notes of Roxette’s 1995 greatest hits compilation Don’t Bore Us, Get to the Chorus! Roxette’s Per Gessle called “Listen To Your Heart,” “The Big Bad Ballad.” He explained, “This is us trying to recreate that overblown American FM-rock sound to the point where it almost becomes absurd. We really wanted to see how far we could take it.” They took it to the top of the pop charts. (BI)
'Livin’ On A Prayer' - Bon Jovi
At some point in our lives, we’re all Tommy and Gina, aren’t we? “Livin’ On A Prayer” is an epic sing-a-long, it’s an anthem and it’s additional proof that when used just right, the talk box is a game-changer. “Livin’ On A Prayer” would become Bon Jovi’s second number one hit and is tied with “You Give Love A Bad Name” for being the song Bon Jovi has performed the most live, according to Setlist.fm. (EB)
'Maneater' - Daryl Hall and John Oates
As John Oates recently told us, “I was in a restaurant in Greenwich Village where we used to go for late-night hangouts, and it was a very hip ’80s place to gather with musicians and actors, models and the groovy ’80s Wall Street tycoons. Just watch ‘Wolf of Wall Street’ and you can kind of imagine what it was like. I’ll leave it at that. But anyway, I was sitting at a table with some friends and this gal came into the room and she was just breathtakingly gorgeous. And she sat down at our table and began to tell these dirty jokes. She had this incredible, beautiful, beautiful, incredibly beautiful face, an incredibly foul mouth, which I thought was really kind of cool. And I thought to myself, ‘Man, she’d chew you up and spit you out.” I was walking home that night and, I just started singing. “She’ll chew you up and spit you out. She’s a maneater.” And I just thought, “Oh, wait a minute, I think I’ve got something here.” He was right about that. (BI)
'Maniac' - Michael Sembello
It’s probably fair to call Mr. Sembello a “one-hit wonder,” even though “Automatic Man” hit the top 40. But “Maniac,” from the film Flashdance was a #1 and nothing he ever did on his own came close to that success. Although he’d had a cool career years before Flashdance: he started out playing guitar on Stevie Wonder’s classic albums Fulfillingness‘ First Finale and Songs In The Key Of Life in the ‘70s. (BI)
'Mickey' - Toni Basil
Basil was a new face to many in 1982 when “Mickey” dominated MTV; in fact, her first single had been released in 1966; as an actress she’d appeared in the ‘60s classic film Easy Rider. But “Mickey” made her a massive pop star for a while. She’s remained active as a choreographer, having worked on Quentin Tarantino’s Once Upon A Time In Hollywood. (BI)
'Miss You Much' - Janet Jackson
1986’s Control wasn’t Janet Jackson’s debut album, but it was the first one to make an impact. Would she be able to follow it up? “Miss You Much,” the first single from 1989’s opus Janet Jackson’s Rhythm Nation 1814 quickly answered that question, and put all of us on notice: Janet would be competing with her brother (among others) for pop domination for a long time. (BI)
'Money For Nothing' - Dire Straits
Aside from that verse, “Money for Nothing” is the epitome of pop/rock greatness. Based on an actual conversation he overheard at a hardware store, Mark Knopfler perfectly captured a working-class vs. wealthy celebrity frustration. (“Now look at them yo-yo’s, that’s the way you do it/You play the guitar on the MTV/That ain’t workin‘, that’s the way you do it” and “We got to install microwave ovens/Custom kitchen deliveries/We got to move these refrigerators/We got to move these color TVs.”) Add in one outstanding riff and Sting singing the “I want my MTV” hook, and you have Dire Straits’ lone number one hit. (EB)
'Mony Mony' - Billy Idol
When you think of the ‘80s, you don’t really think about ‘60s rock and rollers Tommy James and the Shondells. But they were the guys who did “Crimson and Clover” before Joan Jett, “I Think We’re Alone Now” before Tiffany and “Mony Mony” before Billy Idol. Of course, people weren’t adding the “Get laid!” chant when Mr. James did it back in the day. Idol and his fans definitely updated the song for younger generations who were thrilled at the idea of cursing on dance floors at bar mitzvahs, sweet sixteens and weddings. (BI)
'My Prerogative' - Bobby Brown
Brown wrote the song as a response to those who questioned why he left the popular R&B group New Edition. So, it was a rather profitable retort to what was likely an annoying question. Of course, it became an anthem to pretty much anyone who was still living in their parents’ house. (BI)
'Need You Tonight' - INXS
INXS had been a new wave band with a few mainstream hits, but “Need You Tonight” changed all that. The funky song was the band’s first (and only) #1 hit in the U.S. and it also made frontman Michael Hutchence into a sex symbol. (BI)
'Never Gonna Give You Up' - Rick Astley
Rick Astley’s “Never Gonna Give You Up” has had such an interesting life span. First and foremost, it was a number one hit in 15 countries. Then literal decades later, it became a viral sensation thanks to the whole Rickrolling phenomenon. While the concept of Rickrolling isn’t as prevalent as it was in the late aughts, now most people have just come to accept the tune as just a really great pop song, which it is. (EB)
'Nothing’s Gonna Stop Us Now' - Starship
There is surprisingly a lot to talk about when it comes to Starship’s “Nothing’s Gonna Stop Us Now,” besides how Grace Slick, who shares vocal duties with Mickey Thomas, is also the same woman who once wailed “Feed Your Head!” on “White Rabbit” 20 years prior. To begin with, the tune was a soft rock smash topping the charts in five countries. It was nominated for the Academy Award for Best Original Song for being featured in the less-than-stellar Mannequin starring Andrew McCarthy and a pre-Sex and The City Kim Cattrall. Lastly, “Nothing’s Gonna Stop Us” was written by Diane Warren and Albert Hammond, both of whom have so many songwriting credits it would be exhausting to list them. Just Google them both and be amazing at how many hits they’ve written. (EB)
'Physical' Olivia Newton-John
Oddly enough, “Physical” was Olivia Newton-John’s real-life “Sandy” moment. Never before had she been this suggestive, and that music video? Perfection. (EB)
'Shout' - Tears for Fears
Guitarist/singer Roland Orzabal said that it was a protest song, but bassist/singer Curt Smith clarifies that “it encourages people not to do things without actually questioning them. People act without thinking because that’s just the way things go in society. So it’s a general song, about the way the public accepts any old grief which is thrown at them.” An odd topic for a #1 hit, but there you go. (BI)
'Sledgehammer' - Peter Gabriel
When Peter Gabriel left his former band Genesis, he became obsessed with weirder, darker and less commercial music. With his ‘So’ album, however, he was clearly looking for mainstream success, but on his own terms (and was probably more influenced by David Bowie’s ‘Let’s Dance’ comeback than by his former mates, who he kept his distance from). “Sledgehammer” was the funkiest Peter Gabriel song we’d heard at that point, partially because of the horn section, which featured Wayne Jackson, the trumpet player who’d played on classics by soul legends Otis Redding and Sam & Dave, among others. Of course, you can’t talk about the song without the iconic music video, which dominated MTV for about a year. It was Gabriel’s only #1 hit in the U.S… and funny enough, it got there by bumping “Invisible Touch” — by Genesis — out of the top slot. (BI)
'St. Elmo’s Fire (Man in Motion)' - John Parr
Written for the soundtrack of ‘St. Elmo’s Fire’… or was it? When given the script for the film, Parr didn’t come up with anything, and ended up writing it about a Canadian athlete in the Paralympic Games, Rick Hansen. And let’s be honest: he was a hell of a lot more inspiring than the annoying characters in the film. (BI)
'Straight Up' - Paula Abdul
Long before a generation knew Paula Abdul as an American Idol judge, the generation before got to know the choreographer turned singer via her debut album Forever Your Girl. The album would go on to generate four number-one singles with the first being “Straight Up.” The single helped pave the way for Abdul to become a household name thanks in part to the stunning black-and-white music video directed by David Fincher and choreographed by, who else, Abdul. (EB)
'Sweet Child O’ Mine' - Guns N’ Roses
For those that aren’t hard rock fans and don’t really know a lot about Guns N’ Roses, they likely at least know “Sweet Child o’ Mine.” Slash, of course, shines on this classic from his instantly recognizable intro riff to his massive solo. And let’s face it: most of us at one point or another has thrown on a headband and did that swaying dance Axl Rose does in the video while lip-syncing the song in the mirror. (Don’t make that face. Yes, you did! No one likes a liar!) (EB)
'Sweet Dreams (Are Made of This)' - Eurythmics
The fact that the Eurythmics still aren’t in the Rock and Roll Hall of Fame is absurd, especially when you consider singles like “Sweet Dreams (Are Made of This).” Annie Lennox has one of the most unique and distinct voices in music history, and David Stewart might just be one of the most underrated songwriters/producers/multi-instrumentalists ever. The Eurythmics had a number of hits, but “Sweet Dreams (Are Made of This)” was their breakthrough and their biggest. With that synth beat and great music video, it’s understandable why. (EB)
'Take Me Home Tonight' - Eddie Money
Simply put: The Money Man hit the jackpot on “Take Me Home Tonight.” Not only did the track reinvigorate his career, it got Ronnie Spector out of retirement to sing the hook, a call back to the Ronnette’s classic “Be My Baby.” (EB)
'Take On Me' - A-ha
If there’s one thing to take away from this list overall, it’s that in the ‘80s, if you had an amazing music video, it’s going to significantly boost your song’s popularity thanks to the growing influence of MTV. In the case of A-ha’s “Take On Me,” not only was the song hooky as all get-out, but the video was nothing short of revolutionary with its mix of live-action and unique pencil animation. It bears mentioning that singer Morten Harket deserves so much credit for being able to hit that insane falsetto in the chorus, which was the real deal and not aided by Auto-Tune or Pro Tools or any other music software used today. (EB)
'The Power of Love' - Huey Lewis and the News
Every summer blockbuster film needs a hit song, and when director Robert Zemeckis and Steven Spielberg went searching for one for Back to the Future, they reached out to Huey Lewis, who wasn’t immediately sold on writing a song for a movie. However, he was persuaded to submit a song, and he delivered with “The Power of Love.” The track would become Huey Lewis and the News’ first number one hit, and Lewis even got to make a funny cameo in the film. (EB)
'Time After Time' - Cyndi Lauper
In the nearly 40 years since its release, “Time After Time” remains one of the most beautiful, poignant ballads of all time thanks to the ever so unique vocals of Lauper and the backing vocals of Rob Hyman, who co-wrote the song with Lauper for her debut album She’s So Unusual. Of course, we’d be remiss in mentioning its use in Romy & Michele’s High School Reunion soundtracking one of the funniest dance scenes in film history. (EB)
'Total Eclipse of the Heart' - Bonnie Tyler
The late Jim Steinman will be best remembered for his work with Meat Loaf, but he also contributed some incredible tunes to other artists, most notably “Total Eclipse of the Heart” to Bonnie Tyler, who truly belted the hell out of this ballad. The album version of this track was nearly seven minutes long, because Jim is gonna Steinman, but the single version would be edited down to 4:30 so…you know…it would get played on the radio. (EB)
'Under Pressure' - Queen & David Bowie
Between John Deacon’s iconic bassline to the dueling vocals of Freddie Mercury and David Bowie, “Under Pressure” was a classic the moment it was released, and its status has only grown over the years and rightfully so. (EB)
'Upside Down' - Diana Ross
As Ms. Ross entered her third decade active in music, she did so with a bang with her eleventh studio album, ‘Diana,’ and it’s lead single “Upside Down.” The track was written by Chic’s Nile Rodgers and Bernard Edwards. Rodgers would spend most of the ‘80s working with some of the biggest artists of the decade including David Bowie, Madonna, Duran Duran and INXS. (EB)
'Venus' - Bananarama
Yet another cover on this list, Bananarama released “Venus” nearly 17 years after Dutch rock band Shocking Blue released the original version. Both versions of the song topped the Billboard Hot 100 proving that regardless of the generation, “Venus” had it. Yeah, baby…the song had it. (EB)
'Wake Me Up Before You Go-Go' - Wham!
If you’re the lead single off an album titled Make It Big, you kind of need to deliver. Fortunately for Wham!, “Wake Me Up Before You Go-Go” more than delivered and became the duo’s first number-one hit in the United States and their native U.K. Also, ORANGE MOCHA FRAPPUCCINO! (If you know, you know.) (EB)
'Walk Like An Egyptian' - The Bangles
The third single from The Bangles’s breakthrough album Different Light, “Walk Like An Egyptian” would give the group their first number one hit thanks in part from its music video being in heavy rotation on MTV, which likely caused a lot of young people to hit puberty due to the close up shot of Susanna Hoffs looking from side to side. Great singer, great guitarist and a total babe? Iconic! (EB)
'We Are The World' - USA for Africa
Charity singles were a massive trend in the ‘80s, and “We Are The World” was definitely one of the biggest in terms of its lineup and the money it raised. Written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian, “We Are The World” was a who’s-who of music’s biggest stars of the day from Tina Turner to Diana Ross to Bruce Springsteen to Hall & Oates. Even Bob Dylan was on the track, whose confused face during the recording sessions in the song’s music video has now gone on to become a meme. The song raised $44.5 million for the USA for Africa relief fund in its first year of release, and it would go on to win Record of the Year and Song of the Year at the 1986 Grammy Awards. (EB)
'We Got The Beat' - The Go-Go's
The Go-Go’s, after years of eligibility, are finally being inducted into the Rock and Roll Hall of Fame as part of the 2021 class, and their greatness is due, in part, to songs like “We Got The Beat.” It’s unapologetically fun and embraces youth in the most celebratory way possible thanks to one killer rhythm track. Frankly, it’s the type of unapologetic fun that never goes out of style and will always win the day. (EB)
'West End Girls' - Pet Shop Boys
Two versions of Pet Shop Boys’ “West End Girls” exist: The first one was release in 1984, and then the second version was re-recorded and included on their 1985 debut album Please. The latter is the one that most are familiar with, and it’s understandable why. That driving synth rhythm track is just so infectious. (EB)
'What’s Love Got to Do With It' - Tina Turner
Musically speaking, if the ‘80s only gave us Tina Turner and her big comeback as a solo artist when she solidified her title as the Queen of Rock and Roll, the decade still would have been amazing. Of course, all comebacks in music need to start with a great single, and for Tina, it was “What’s Love Got to Do With It,” even though she famously hated the song but recorded it at the insistence of her then manager Roger Davies. The whole process is detailed in the HBO documentary Tina, which everyone should watch as a reminder of all of the ageism, sexism and racism Turner had to overcome from various music industry people in order to stage a comeback. (EB)
'When Doves Cry' - Prince
Plenty of artists have experimented with blending genres, but no one has really done it like Prince. A perfect combination of pop, R&B and rock, “When Doves Cry” was the lead single from Purple Rain and topped the Billboard Hot 100 for five weeks. Prince’s guitar work alone on this track secured him as a Guitar God for all of time. Only Prince could come up with such a funky song without even bothering to include a bassline. (EB)
'You Keep Me Hangin’ On' - Kim Wilde
Written by Motown Records’ songwriting team of Holland-Dozier-Holland, “You Keep Me Hangin’ On” was made famous by The Supremes, and the track netted the iconic girl group their eighth number one song. Nearly 20 years later, Kim Wilde would also top the Billboard Hot 100 with a reworked Hi-NRG version of the song reintroducing the track to a whole new generation of listeners. (EB)
'You Shook Me All Night Long' - AC/DC
You know it, you love it and you’ve likely sung it in the shower. “You Shook Me All Night Long” is one of the most magical hard rock songs ever because of its ability to appeal to picky hard rock fans AND those with more mainstream sensibilities. Of course, its lyric-packed appeal was almost jeopardized when producer Mutt Lange told Brian Johnson to space out the lyric and slow down the delivery. Johnson would later say in an interview that he did record a version of the track per Lange’s suggestions, but as soon as Malcolm Young heard it, he was not having it. “I did it like that, and then Mal heard it and said, ‘What the f— is this?!’” according to Johnson. We should all be grateful that Malcolm Young lost it in that moment. (EB)
Now It's Time To Vote!
Now that you know all 80 songs that have made our list, we want YOU — our loyal BEN FM listeners — to vote for your favorite songs to help us rank the 80 Essential Hits from the ’80s from 80 to 1.
